Crescere in Europa dal 1945 ad oggi
Negli ultimi 70 anni, i giovani in Europa sono passati da testimoni ad attori della storia. Questa mostra ripercorre la storia di quattro generazioni di giovani diventati maggiorenni in momenti cruciali della storia europea: la fine degli anni Quaranta, gli anni Sessanta, gli anni Ottanta e gli anni Duemila. Si sofferma sulle esperienze chiave dei giovani: dall'istruzione al lavoro, dalla costruzione di un'identità alla ricerca dell'amore.
Queste esperienze sono inevitabilmente plasmate dalla politica, dalla società, dalla cultura e dall'economia dell'epoca. Essere giovani in una società benestante e libera è un'esperienza molto diversa da una gioventù marcata dalla povertà o dall'oppressione politica.
In tutta Europa, i giovani hanno scelto di rompere con i valori dei loro genitori e di considerarsi una generazione a parte: la "mia generazione". Hanno creato una cultura e dei valori propri, valori per i quali sono pronti a combattere e persino a morire.
Ma se questa mostra riguarda i giovani, non è destinata solo a loro. Siamo tutti stati giovani e anche se la gioventù è fugace, raramente la si dimentica.
Europe’s Quiet Generation?
The Second World War had deeply traumatised young people and their families. Loved ones were lost or separated from each other, the infrastructure of daily life laid in ruins. Against the backdrop of scarcity and shortage, young people were getting on with their lives. Wedding dresses made out of parachute silk and cardboard wedding cakes symbolise the struggle to create a sense of stability and normality.
Unfortunately, the end of the war did not always mean the end of violence and peace for everybody. Struggles of in the form of wars and opposition movements continued in many countries. Instead of enjoying the long-desired freedom, young people were again affected by violence and severe punishments. In newly established communist regimes in Eastern Europe young people became involved in a number of resistance movements, both peaceful and armed.
He was carrying the saw on his back during a sudden raid. Kokk got shot but the saw stopped the bullet and he was unharmed. However, in 1949 Kokk was deported to Siberia, where he died.
In the immediate aftermath of the war, a specific youth culture did not yet exist in Europe. However, newly emerging youth cultures influenced by America attracted wide scores of Europe’s youth who wished to express their individuality and opposition to the conformity of society. Different subcultures emerged in almost every country: Teddy Boys and Rockers in the UK, Blousons noirs in France, Teppisti in Italy, Nozem in the Netherlands, Halbstarken in Germany, Bikinarze in Poland, Jampecok in Hungary, Malagambisti in Romania, Potápkas or Páseks in Czechoslovakia, and Stilyagi in the Soviet Union.
Authorities in East and West were alarmed by the rise of the youth subcultures. Increasingly, government and the police viewed these young people as hooligans and juvenile delinquents, and harassed them because of their appearance.
Europe’s young people and youth movements expressed a desire for peace, which would only be fulfilled by them acting across national boundaries. Youth was depicted as beautiful, strong, and — with peace symbols — united internationally in the fight for freedom. International youth camps and youth meetings were organised across Europe as a means of post-war reconciliation.
The Cold War changed this situation as Soviet domination gripped Eastern Europe, isolating it and disrupting broad international exchange. Youth and young people became a key weapon in the propaganda war between East and West.