Żogħżija Bla Kwiet
Int u tikber fl-Ewropa, mill-1945 sal-lum
F’dawn l-aħħar 70 sena, iż-żgħażagħ fl-Ewropa nbidlu u minn grupp li kien jara l-istorja tiegħu isseħħ, saru grupp li jsawwar l-istorja. Din il-wirja tagħti ħarsa lejn erba' ġenerazzjonijiet ta’ żgħażagħ li għexu f’mumenti ewlenin fl-istorja Ewropea: l-aħħar snin tal-erbgħinijiet, is-sittinijiet, it-tmeninijiet u s-snin elfejn. Il-wirja tesplora l-esperjenzi ewlenin taż-żgħażagħ; mill-edukazzjoni u l-impjieg, sal-ħolqien tal-identità u l-esperjenza tal-imħabba.
Dawn l-esperjenzi huma inevitabbilment influwenzati mill-politika, is-soċjetà, il-kultura u l-ekonomija tal-era. Iż-żgħożija f'soċjetà għanja u libera hija differenti ħafna minn żgħożija immarkata mill-faqar jew mill-oppressjoni politika.
Fl-Ewropa, iż-żgħażagħ għażlu li jinqatgħu mill-valuri tal-ġenituri tagħhom u jqisu lilhom infushom bħala ġenerazzjoni distinta — "il-ġenerazzjoni tiegħi". Huma ħolqu l-kultura tagħhom b'sett ta' valuri tagħha; il-valuri li ż-żgħażagħ kienu lesti li jiġġieldu u saħansitra jmutu għalihom.
Iżda filwaqt li din il-wirja hija dwar iż-żgħażagħ, mhijiex għaż-żgħażagħ biss. Kollha kemm aħna konna żgħażagħ xi darba, u għad li ż-żgħożija taħrabilna, qajla ninsewha.
Europe’s Quiet Generation?
The Second World War had deeply traumatised young people and their families. Loved ones were lost or separated from each other, the infrastructure of daily life laid in ruins. Against the backdrop of scarcity and shortage, young people were getting on with their lives. Wedding dresses made out of parachute silk and cardboard wedding cakes symbolise the struggle to create a sense of stability and normality.
Unfortunately, the end of the war did not always mean the end of violence and peace for everybody. Struggles of in the form of wars and opposition movements continued in many countries. Instead of enjoying the long-desired freedom, young people were again affected by violence and severe punishments. In newly established communist regimes in Eastern Europe young people became involved in a number of resistance movements, both peaceful and armed.
He was carrying the saw on his back during a sudden raid. Kokk got shot but the saw stopped the bullet and he was unharmed. However, in 1949 Kokk was deported to Siberia, where he died.
In the immediate aftermath of the war, a specific youth culture did not yet exist in Europe. However, newly emerging youth cultures influenced by America attracted wide scores of Europe’s youth who wished to express their individuality and opposition to the conformity of society. Different subcultures emerged in almost every country: Teddy Boys and Rockers in the UK, Blousons noirs in France, Teppisti in Italy, Nozem in the Netherlands, Halbstarken in Germany, Bikinarze in Poland, Jampecok in Hungary, Malagambisti in Romania, Potápkas or Páseks in Czechoslovakia, and Stilyagi in the Soviet Union.
Authorities in East and West were alarmed by the rise of the youth subcultures. Increasingly, government and the police viewed these young people as hooligans and juvenile delinquents, and harassed them because of their appearance.
Europe’s young people and youth movements expressed a desire for peace, which would only be fulfilled by them acting across national boundaries. Youth was depicted as beautiful, strong, and — with peace symbols — united internationally in the fight for freedom. International youth camps and youth meetings were organised across Europe as a means of post-war reconciliation.
The Cold War changed this situation as Soviet domination gripped Eastern Europe, isolating it and disrupting broad international exchange. Youth and young people became a key weapon in the propaganda war between East and West.